This film about one of the most egregious modern cases of racism and injustice mostly sticks to the facts.
One thing I didn’t like about Spike Lee’s BlacKkKlansman (2018) was that it invented events to make its antagonists more menacing than they really were. It’s a habit in Hollywood to insert or amplify racism in historical films, which is weird because there are plenty of actual historical examples of racism to make movies about.
Case in point: Just Mercy (2019), written by Destin Daniel Cretton and Andrew Lanham and directed by Cretton, based on the book Just Mercy: A Story of Justice and Redemption by Bryan Stevenson. Just Mercy follows the case of Walter McMillian (Jamie Foxx), who was wrongly convicted of the 1986 murder of a white woman in Monroeville, Alabama and sent to death row. Years later, attorney Bryan Stevenson (Michael B. Jordan) successfully appealed McMillian’s conviction and won his freedom.
McMillian, who was having a very public affair with a white woman named Karen Kelly, was hosting a fish fry at his home with his wife, Minnie (Karan Kendrick), surrounded by about a dozen witnesses, when the murder occurred. Despite this, Sheriff Tom Tate (Michael Harding) arrested him for the crime. And despite not yet being convicted, he was sent to death row while awaiting trial.
Judge Robert E. Lee Key, Jr. (yes, that was actually his name) moved the trial to a different county where it would have a majority white jury. The judge overrode the jury’s decision of life imprisonment and imposed the death penalty. McMillian sat on Alabama’s death row from 1988 to 1993, when the Court of Criminal Appeals ruled he had been wrongfully convicted.
Continue reading “Unfortunately, Just Mercy Was Based on a True Story”
“CNN filed a motion to dismiss the suit in May on the grounds that accusations of racism are not actionable in defamation cases because the allegation can’t be proven true or false.”
A few days ago, CNN settled with Covington Catholic High School student Nicholas Sandmann, who was suing for defamation over CNN’s coverage of the incident in January in which Sandmann and his classmates were accused of confronting and harassing a Native American man–until full video showed otherwise.
I used a quote from this National Review article as a subheading because it’s so important: Not only did CNN settle with Sandmann, tacitly admitting the news company was wrong, but its lawyers tried to argue Sandmann had no case because charges of racism are not meant to be defended against.
When someone accuses you of a real crime, it’s able to be proven true or false. Was a crime committed? Did you commit the crime or not? But what about when someone is accused of being racist or acting in a racist manner? Is that more opinion than fact? Most of the time, it’s litigated in the court of public opinion, and the accused have little recourse but to apologize for the perceived offense and hope things blow over.
Continue reading “CNN Lawyers Admit Charges of Racism are a Smear”
Today, Illinois is considered the “Land of Lincoln”, but prior to the Civil War, it straddled the line between slave state and free.
That Illinois would help elect the “Great Emancipator” was not a foregone conclusion. For much of its early history, Illinois had a close relationship with slavery and was openly hostile to abolitionism. Yet, by 1860, enough voters embraced the Republican Party to elect Abraham Lincoln president, a change that was hugely consequential for African American freedom, and the nation as a whole.
Populated by immigrants from Virginia, Kentucky, and Tennessee, Illinois entered the Union in 1818 with strict black codes on the books. The Illinois Constitution prohibited the introduction of slavery, but permitted residents already holding slaves to keep their property. As historian Suzanne Guasco explained, Illinois was “the only state created out of the Old Northwest Territory that failed to abolish slavery outright during its constitutional convention.”
Missouri, bordering Illinois to the west, came into the Union as a slave state in 1821. Kentucky, Illinois’ neighbor to the south, was also a slave state. The Mississippi River connected Illinois economically with other slave holding states to the south, and the bottom third of Illinois lay below the cultural Mason-Dixon Line. It’s a little-known fact that slave labor was used in at least one southern Illinois industry.
Though Article 6 of the Northwest Ordinance banned slavery in Illinois, as did the Illinois Constitution of 1818, an exception was made for the Gallatin County salt mines. By 1819, the Gallatin County salines produced nearly 300,000 bushels of salt. Approximately 1,000 black slaves worked the mines and processed the salt.
Continue reading “Slavery and the Land of Lincoln”
This eclectic museum brings the African American experience to life, but some sections are definitely not suitable for children.
As a fan of both history and wax museums, I was thrilled to discover this museum in Baltimore’s struggling northeastern neighborhood of Oliver. The National Great Blacks in Wax Museum features over 150 life-sized wax figures representing a range of personalities from African American history, as well as a few ancient ones as well.
The museum’s depiction of ancient history is, for lack of a better word, imaginative. In the entryway, a large figure of a dark-skinned Hannibal the Great sits on a war elephant. Hannibal, a Carthaginian leader who fought the Romans circa 218 BC, was ethnically Phoenician, not from Sub-Saharan Africa. Likewise, the museum depicts Egyptian pharaohs as black when they were actually Middle Eastern in origin. Some even had red hair.
Perhaps the most controversial exhibits have to do with the Atlantic slave trade, lynching, and racism. It’s estimated 12 to 12.8 million Africans were forcibly transported across the Atlantic over a span of 400 years under horrible conditions. The wax exhibit leaves nothing to the imagination.
Continue reading “National Great Blacks in Wax Museum in Baltimore, Maryland”
During the Great Depression, “Father Divine” urged his followers to transcend race and poverty through the power of positive thinking and a shared banquet table.
In American culture, ideals of health and prosperity have long been intertwined with food. At the dawn of the twentieth century, it was the ability to eat what one wanted and when that defined an American family’s assent into the growing middle class. It was no accident that during the 1930s a man appeared offering salvation through the act of eating.
George Baker, Jr., or “Father Divine”, professed himself to be God incarnate. He urged his followers to transcend race and poverty through the power of positive thinking. His message successfully crossed racial barriers because he appealed to cultural traditions common to all Americans, traditions like conspicuous consumption, Charismatic Christianity, and the Protestant work ethic.
As historian Jill Watts eloquently put it, he “provided a theology that promised a better life and a brighter future to anyone, regardless of economic status. Father Divine personified the Horatio Alger myth, and his success proved that even for blacks, America was a land of opportunity.” Food, a symbol of prosperity, was the unifying commodity he used to actualize that myth.
The ready availability of food, dolled out by his hands, literally demonstrated that he could give his followers a piece of the American pie. He consciously used the act of sharing food between peoples―a long tradition in American history―to realize his dream of racial harmony. “I have a-plenty to eat, to drink and to wear, and I have plenty of automobiles to ride in; comfort and convenience for you and ME!” was a common boast, and promise, from Father Divine.
Continue reading “Father Divine, Conspicuous Consumption, and Racial Harmony”
At a time when scarcity affected millions, one eccentric preacher offered men and women a taste of the American dream.
During the 1930s, a man appeared in America offering salvation through the simple act of eating. “Father Divine”, professing himself to be God incarnate, urged his followers to transcend race and poverty through the power of positive thinking. His message crossed racial lines because he appealed to shared traditions in American culture. This eccentric preacher offered Americans, both black and white, rich and poor, hope that racial unity and personal perfection could be achieved through the union of religion and the dinner table.
Father Divine began life as George Baker, Jr. in the border state of Maryland less than fifteen years after the Civil War. His mother, Nancy, had been born a slave in the 1840s. Two Catholic masters owned her over the course of her life, Lemuel Clemens and Henry B. Waring. Both required that she attend the Catholic churches they had erected on their respective properties.
In 1864, when Maryland outlawed slavery, Nancy went into service as a maid and already had two daughters by unknown persons. She married a man named George Baker in the 1870s and the two moved into a ghetto outside of Rockville, Maryland known as ‘Monkey Run.’ George Baker, Jr. was born shortly after, in May 1879. Nancy and her family attended Rockville’s Jerusalem Methodist Church, a separatist branch, where, according to historian Jill Watts, “inevitably, the intense spirituality and religious dedication of the African-American community left a deep impression on George.”
His mother died when he was a young man. She was five feet tall and weighed four hundred and eighty pounds. A coffin had to be built inside their house and could only be removed after the doorway had been hastily expanded. Historian R. Marie Griffith theorized that Nancy’s extreme size, acquired after moving to Monkey Run, was a response to the oppressive conditions of slavery she had experienced as a young woman.
Continue reading “Father Divine: The Man Who Called Himself God”
As a Civil War buff, director Ron Maxwell’s Gettysburg (1993) is one of my all-time favorite films. For the general public, it is the definitive depiction of the Battle of Gettysburg, an epic three-day struggle between the Union Army of the Potomac and Confederate Army of Northern Virginia over the fate of the nation. Based on the novel The Killer Angels by Michael Shaara, its soundtrack is epic and performances by its cast are top-notch.
The more I read about the battle, however, the less historically accurate the movie appears. Race is one area where Gettysburg falls short. Despite multiple discussions about slavery during the 271 minute run time, only one African American character appears: a runaway slave used as a catalyst for a discussion between Col. Joshua Lawrence Chamberlain and Sgt. ‘Buster’ Kilrain.
Would you be surprised to learn thousands of enslaved African Americans traveled with the Confederate Army on its invasion of Pennsylvania? Many Southern officers were slaveholders, after all. But by all appearances, the Confederate Army as depicted in Gettysburg was entirely white (the Union Army employed hundreds of freed black laborers at Gettysburg–a fact also omitted from this film).
Of course, slaves would not have appeared in battle scenes, but there were plenty of opportunities when it came to scenes of Confederate encampments and units on the march, where black slaves served a variety of non-combat roles. If the filmmakers were making a genuine effort to be as historically accurate as possible, how could they miss this obvious fact?
Continue reading “Did the Movie Gettysburg Whitewash Lee’s Army?”