A Southern belle waiting for her husband to come home falls for a wounded Union soldier in this silly Civil War drama.
Written and directed by Serge Rodnunsky, War Flowers (2012) is a vanity period film staring a surprising cast, including veteran actors Christina Ricci and Tom Berenger. A few charming performances save this otherwise meandering and strange take on American history from being too unbearable to watch, but history buffs will cringe.
Union general McIntire (Tom Berenger) lost two sons at the Battle of Antietam, so when his army invades an unnamed valley in North Carolina in 1863, he tries to send his third son, Louis (Jason Gedrick), back home before the war ends. Eager to get into the fight, Louis disobeys his father but gets wounded and seeks shelter in a farm house.
The house is owned by Sarabeth Ellis (Christina Ricci) and her daughter Melody (Gabrielle Popa), who are waiting for Sarabeth’s husband, John (Bren Foster), to return from the war. Sarabeth believes John has been killed, but Melody has faith. Short on food, they’re harassed by a local derelict, Rufus (Kurt Yaeger).
As the fortunes of war swirl around their farm, Sarabeth must decide whether to embrace her unwelcome Yankee visitor and perhaps move on with her life, or give up and succumb to the horrors of war. Things look bleak when Louis McIntire is captured by his own men, mistaken for a Confederate, and left in the stockade by his father. Will the two reunite and survive?
Continue reading “War Flowers: Amateur Effort Makes this History Buff Cringe”
Spanish-born actor Antonio Banderas was hot in the mid-1990s, starring in Hollywood films like Philadelphia (1993), Interview with the Vampire (1994), Desperado (1995), Evita, (1996), and The Mask of Zorro (1998). Before his career in the United States took off, however, he starred in a little known Italian miniseries later released as a film about a young, handsome and idealistic Italian socialist who became an influential Italian leader. That Italian leader was Benito Mussolini.
Written by Vincenzo Cerami, et al, and directed by Gianluigi Calderone, Benito (1993) was a 307-minute Italian made-for-TV movie starring then 32-year-old Antonio Banderas in the titular role. It was later released as a film in the U.S. by Lions Gate Entertainment. The movie charts Mussolini’s rise from young laborer to socialist revolutionary leader, ending prior to his creation of the National Fascist Party. The topic of pre-World War I Italian socialism is a little too esoteric for American audiences, so Lions Gate probably released this in the U.S. to capitalize on Antonio Banderas’ popularity.
It seems strange to think of 20th Century Italian Fascist dictator Benito Mussolini as a left-wing political figure, but if it wasn’t for World War I, that may have been his claim to fame. Mussolini’s father, Alessandro Mussolini, was a socialist who named his son Benito Amilcare Andrea after Mexican president Benito Juárez and Italian socialists Andrea Costa and Amilcare Cipriani. As a young man, Mussolini avoided military service by hiding in Switzerland, where he studied Marxist philosophy, became active in labor unions, and wrote for the socialist newspaper L’Avvenire del Lavoratore. Back in Italy, he joined the Socialist Party and became editor of its newspaper, Avanti.
Continue reading “That Time Antonio Banderas Starred in a Movie Romanticizing Benito Mussolini”
Adam Carolla and Dennis Prager deliver a powerful rebuke to radical campus activism, but fail to explore its root causes.
I watched Adam Carolla and Dennis Prager’s new documentary No Safe Spaces (2019) in a nearly-sold out theater in Alexandria last night. While it was a decent summery of the latest threats to freedom of speech and expression, and the audience loved it, there were some glaring omissions that left the film feeling incomplete.
If you’ve been paying attention over the past several years, you’ve noticed the rise in political activism on both the right and left has led to some alarming developments, including riots, street clashes, and an effort to “de-platform” opposing views on the Internet. No public space has been at the forefront of this conflict more than college campuses.
No Safe Spaces highlights two of the most dramatic episodes of campus activism and political correctness run amok: Bret Weinstein and the 2017 Evergreen State College riots, and the 2016 riots at California State University that targeted conservative political commentator Ben Shapiro.
Continue reading “No Safe Spaces: Powerful but Incomplete”
Books about Illinois ghostlore have become a “copy and paste” industry, and literally dozens of paperbacks devoid of original content line the shelves. That cannot be said for The Ghosts of Chicago: The Windy City’s Most Famous Haunts by Adam Selzer. Published by Llewellyn Publications in 2013, The Ghosts of Chicago is a necessary addition to any collection of books on Chicago ghostlore. It retails for $18.50 and is 340 pages in length.
“Professional ghost hunter and historian Adam Selzer
pieces together the truth behind Chicago’s ghosts, and brings to light
dozens of never-before-told firsthand accounts,” the cover promises.
Selzer delivers on this promise, not necessarily by adding new locations
to our catalog of tales, but by greatly expanding our understanding of
well-known stories. That is what makes The Ghosts of Chicago so great—it takes on a simple task and does it better than it has been done for nearly a decade.
Two examples of this are the chapters on Bachelor’s Grove Cemetery and Resurrection Mary. Both are obligatory inclusions in any book about Chicago ghostlore, and you would think not much more could be written about them. Selzer pushes the stories beyond their usual retelling, however.
In the chapter on Bachelor’s Grove, for example, he goes into detail about the famous “ghost photo” of the lady dressed in white sitting on a broken headstone. Unlike most other accounts, he explains the who, when, and how of the photograph—giving credit to the photographer and telling her story.
Continue reading “Ghosts of Chicago Raised the Bar for Books of Chicago Ghostlore”
Haunted Colleges and Universities: Creepy Campuses, Scary Scholars, and Deadly Dorms by Tom Ogden is a good place to start if you are interested in learning about campus ghost stories. This comprehensive guide contains information on over two hundred colleges and universities around the United States, but you will have to look in the reference section if you want to find a more in-depth examination of each location.
Published in 2014 by Globe Piquot Press, Haunted Colleges and Universities is 318 pages and retails for $18.95. It is divided into four parts based on regions of the US as defined by the US Census Bureau. Each section is further subdivided into individual states.
When I think of what I look for in a book of ghostlore, well organized content is a plus, and Haunted Colleges and Universities is nothing if not organized. With a clear table of contents listing every college and university in the book by state, it is easy to find any location. Each entry is proceeded by the college’s address, phone number and website. The names of haunted buildings are highlighted in bold, so it is a breeze for your eyes to jump to any location in the body text. All of these features make this book very helpful to its readers.
If Haunted Colleges and Universities has a flaw, it is that it overreaches and cannot devote enough space to any one college (although there are certain colleges in the book that have a lot more space devoted to them than others). The author himself acknowledges this problem.
In his introduction, he wrote: “Readers of Globe Piquot Press haunted books will immediately notice that the format of this one is completely different from others I’ve written for the series. During my research, I wasn’t finding just two or three dozen stories I was finding hundreds. So instead of highlighting just a few hauntings, in this work I’ve tried to include as many legends as space would permit.” He certainly succeeded at that.
Continue reading “Haunted Colleges and Universities a Good Primer on Campus Haunts”
Hunting Demons: A True Story of the Dark Side of the Supernatural by Sylvia Shults
was released by Whitechapel Productions Press in August 2015 in both
print and digital formats. This survey of demonology is surprisingly
human, combining both cultural and religious history with a compelling
personal experience. The combination is unique and takes a skilled
writer to execute. It is clunky at times, but helps provide context for
an incredible tale.
Hunting Demons is 158 pages and informally divided into two parts. The first part examines the history of demons and Satanism in Western and Middle Eastern culture, and the second is a personal tale of a woman from central Illinois who believed demons were tormenting her.
The personal experience is primarily grounded in Catholic theology, although it begins with a paranormal investigation. Because of this, it may have been more helpful for the author to focus on demonology from a Catholic perspective, rather than a more general overview.
In her historical and cultural survey, Sylvia Shults looks at demons and satanism from early human history to the present day. She transitions from the dark side in contemporary TV shows to the evolution of religion and evil spirits.
While interesting, this history is non-linear and has several noticeable gaps. For example, Shults jumps from the Salem Witch Trials to Vatican II in the 1960s. In her chapter on satanic panics, she goes from the heresies of the Middle Ages to the cult scare of the 1980s.
Continue reading “Hunting Demons a Harrowing Look at the Dark Side”
First published by Guild Press Emmis Publishing in 2002, Haunted Hoosier Trails: A Guide to Indiana’s Famous Folklore Spooky Sites by Wanda Lou Willis has quickly become a genre classic. Everything, from the paper it’s printed on, to its layout, maps, and illustrations, is of the highest quality. It is (to put it bluntly) a beautiful book, but it is the stories within that are most important.
Willis does a wonderful job retelling ghost stories and legends from all over the Hoosier State. Like the rest of the book, the quality of writing is superb—clean, and polished. The only things this book lacks are proper citations and an index. Otherwise, it should be the standard that authors in this genre seek to emulate.
The tales in Haunted Hoosier Trails are organized by region and county. Willis divides Indiana into three regions: North, Central, and South. A short history introduces each county, and each location or story is given one or two pages—just enough to explain the background and strange happenings without losing the reader’s interest. In fact, an incredible 78 tales are featured in this 180 page book, but none of them feel rushed or incomplete.
A map pinpointing their exact location
accompanies many of the tales. Unlike the poor quality maps featured in
other books in this genre, the maps included in Haunted Hoosier Trails
are clean and easy to read. They were created by the book’s
illustrator, Steven D. Armour. Armour’s ink sketches are a wonderful
addition to the book and come at the beginning of each section. They
illustrate a handful of that region’s most notable stories.
Continue reading “Haunted Hoosier Trails Sets a Standard for Folklore”