I attended Eastern Illinois University during a time of change, when longtime fixtures of the community disappeared and new things rose. EIU’s campus is very different from when I first set foot there, but the town of Charleston has changed as well.
Aaron’s Barbershop was local institution, and I was lucky to get my haircut by the man himself. His shop, tucked in a strip mall across the street from campus, is empty now—a sad remnant of the past. When I look inside, I can still see the red bench where I waited for a haircut, and the glass case that held old hair care products and candy for sale, and an old cash register. A thin layer of dust covers the empty shelves.
Aaron Buchanan opened his barber shop in the University Village strip mall at Fourth Street and Lincoln avenue, across the street from EIU’s campus, in 1963 or ’64. He charged 50 cents. My dad attended EIU from 1963 to 1967, and he remembers getting his hair cut by Aaron.
The first promo shots from a new H.P. Lovecraft adaptation written and directed by Richard Stanley starring Nicolas Cage has been released.Color Out of Spacewill be an adaptation of H.P. Lovecraft’s 1927 short story “The Colour Out of Space”, about a family corrupted by a strange meteor.
“The Colour Out of Space” is one of my favorite Lovecraft tales. H.P. Lovecraft’s fiction has been notoriously difficult to translate into film, though the initial concept art from this project looks promising. This short story has been loosely adapted into film numerous times, most recently in the 2010 German film Die Farbe (re-titled The Color Out of Space), which I haven’t seen.
According to Comingsoon.net, “The Color Out of Space is described as a story of cosmic terror about The Gardners, a family who moves to a remote farmstead in rural New England to escape the hustle of the 21st century. They are busy adapting to their new life when a meteorite crashes into their front yard. The mysterious aerolite seems to melt into the earth, infecting both the land and the properties of space-time with a strange, otherworldly color. To their horror, the Gardner family discover that this alien force is gradually mutating every life form that it touches … including them.”
Writer-director Richard Stanley is notoriously known for being unceremoniously fired from The Island of Doctor Moreau (1996) and subsequently hiding out in the jungle and working as an extra. He never made another Hollywood film. Perhaps this makes him ideal for adapting H.P. Lovecraft? It’ll be interesting to see what he can accomplish after all these years.
Of course, Nicolas Cage will bring his own unique brand of acting to the project. I’m looking forward to seeing this one in theaters!
A quirky premise isn’t enough to carry an entire film.
A boyfriend unsuccessfully copes with his girlfriend’s passing and resurrection during a zombie outbreak in Life After Beth (2014). Written and directed by Jeff Baena, this comedy-horror manages to be neither terrifying nor funny. Life After Beth has its moments, but its poorly thought out horror elements interrupt and undermine what could have otherwise been an interesting exploration of love, loss, and regret, and the importance of letting go.
Young Zach Orfman (Dane DeHaan) is devastated
when his girlfriend, Beth Slocum (Aubrey Plaza),
dies from a snakebite. His parents, Noah (Paul Reiser) and
Judy (Cheryl Hines),
urge him to move on. Zach becomes suspicious to the point of paranoia when Beth’s
parents, Maury (John
C. Reilly) and Geenie (Molly Shannon), abruptly
stop speaking with him and cloister themselves in their home.
Things get complicated when Zach discovers Beth has returned
from the dead. Her parents consider it a miracle, but Zach just can’t accept the
new status quo. Beth’s strange behavior, as well as the appearance of other
long-dead people from his past, has him asking questions. His testosterone-fueled
brother, Kyle (Matthew
Gray Gubler), springs into action as the zombie apocalypse unfolds. Can
Zach discover a cure for the zombie outbreak and save his lost love?
The political fact-checking website can’t help giving a boost to Bernie Sanders
I often read websites like POLITIFACT, Snopes, and FactCheck.org to help sort through the news and lend a more critical eye to what I read on the Internet. After all, every news site is loaded with bias and misrepresentation these days. So I was surprised when I read this article at POLITIFACT rating a recent statement by 2020 Democratic presidential candidate Bernie Sanders as “Mostly True”. The POLITIFACT writers couldn’t help doing their own editorializing to give a boost to the candidate.
Sanders’ statement concerned the gap in average life expectancy in McDowell County, West Virginia vs Fairfax County, Virginia, implying the disparity in wealth was to blame for the disparity in health. In a speech at George Washington University on June 12, he said:
“In 2014, for example, in McDowell County, W.Va., one of the poorest counties in the nation, life expectancy for men was 64 years. In Fairfax County, Va., a wealthy county, just 350 miles away, life expectancy was nearly 82 years, an 18-year differential. The life expectancy gap for women in the two counties was 12 years.”
Bernie Sanders at George Washington University
POLITIFACT pointed out that the two counties were on opposite ends of the spectrum when it came to income. McDowell County has a median household income of $25,595 and Fairfax County has a median household income of $117,515. The median household income is the point at which half of households earn less than that amount and half earn more.
Students at Eastern Illinois University in Charleston, Illinois always had a variety of choices when it came to getting their caffeine fix. I was no stranger to Java B&B in the MLK Student Union (I still can’t find a better scone…). There was Jitters & Bliss, and even Common Grounds for those students adventurous enough to drive to nearby Mattoon. When it came to local coffee shops, however, nothing beat the JAC.
Jackson Avenue Coffee, at 708 Jackson Avenue just off Charleston’s town square, was the brainchild of EIU alumni Ryan and Dulcy Dawson. They spent several months renovating the space before opening on Friday, April 26, 2002. Their intention was to create a friendly and relaxed environment where students could study and stay as long as they wanted. It was a fixture for students and local residents alike, and for at least one summer, was like my second home.
JAC was divided into two rooms, the front for the main coffee shop, and the back where patrons could play board games and where meetings and live events were held. Local artists displayed their artwork on the walls for sale on a rotational basis, and a few tables even doubled as chess and checkers boards. It was a fun, lively environment that became a showcase for Charleston’s creative community.
A murderous doll with the ability to control smart devices runs amok in this fresh reboot.
Written by Tyler Burton Smith and directed by Lars Klevberg, Child’s Play (2019) is a remake of the 1988 horror film of the same name. In this version, Chucky is a sabotaged smart-toy who learns violence is cool by watching human behavior. As such, the supernatural elements of the original have been removed. What remains is a contemporary morality play about the dangers of smart technology and our addiction to electronic devices.
Karen Barclay (Aubrey Plaza) is a single mother living in a distressed urban neighborhood with her son, Andy (Gabriel Bateman). Andy’s loneliness leads Karen to give him a Buddi doll (voiced by Mark Hamill) for his birthday. Though visibly dysfunctional, the doll (which calls itself Chucky because it has to, I guess?) imprints on Andy and quickly becomes overprotective.
Andy soon meets two other kids in the apartment building, Falyn (Beatrice Kitsos) and Pugg (Ty Consiglio), and the trio play pranks on Karen’s jerkish boyfriend, Shane (David Lewis). Detective Mike Norris (Brian Tyree Henry) suspects something is amiss. Can Shane and friends rein in Chucky’s violent tendencies before it’s too late?
Child’s Play is the latest horror-franchise reboot, and it was only a matter of time. In the horror pantheon, I would put Child’s Play on a second or third tier behind obvious powerhouses like Halloween, Nightmare on Elm Street, or Friday the 13th. Its premise of a killer doll is just a little too campy, and the original films do play up the humorous element. Still, Child’s Play has a reliable fan base.
Built in 1938 at a cost of $90,000 in Art Deco style, the Will Rogers Theatre has been a fixture of downtown Charleston, Illinois for generations. It was named after William ‘Will’ Rogers, a famous Cherokee actor, humorist, and newspaper columnist of the Progressive Era who died in a plane crash in 1935. When I was an undergrad at Eastern Illinois University, my Friday night routine was to walk down to the Will Rogers and watch whatever movie had been released that week.
During the 1980s, Kerasotes Theaters divided the 1,100-seat auditorium and began showing movies on two separate screens. The Will Rogers was added to the National Register of Historic Places in 1984, and designated a Landmark Property by the City of Charleston in 2011.
When I entered EIU as a freshman in the fall of 2000, Kerasotes still owned Will Rogers Theatre. They showed two films per week on two screens, one at 7:00pm and the other at 7:15. Movie tickets were only $2, and popcorn was cheap too. My first visit was to see The Replacements with a sorority girl named Valerie who my roommate introduced me to (for more on him, read my article on Carman Hall).