Released in early September, Morgan (2016) was billed as a promising new sci-fi horror/mystery movie, but quickly falls flat. It stars Kate Mara as Lee Weathers, a “corporate consultant,” Anya Taylor-Joy as Morgan, and Rose Leslie as a behavior specialist. Paul Giamatti makes a notable appearance as the only character with emotional depth.
Going into the film, I thought it was going to explore the ethical issue of genetic manipulation and cybernetic enhancement. I thought it would pose an interesting dilemma to the audience about whether research of this nature should be pursued, like Ex Machina (2015) did for artificial intelligence. Boy, was I disappointed.
First, the film was deceptively marketed. It’s not a mystery and it barely passes for horror. Its IMDB summery is, “A corporate risk-management consultant must decide whether or not to terminate an artificially created humanoid being,” but that’s not actually the plot.
Spoiler alert: the end of the film reveals that the corporate consultant was actually a genetically-enhanced assassin, and the whole exercise was an excuse to see whether her version could defeat the newer version, Morgan. So, in the end, there’s never a question about whether Morgan should be terminated, and the protagonist never solves a mystery–she knew what Morgan was the whole time. The result was a boilerplate chase/assassin thriller.