First Impressions of Annabelle: Creation

I watched Annabelle: Creation this weekend, a prequel-sequel to Annabelle (2014). It’s the first horror movie I’ve seen since last year, and I read several reviews praising it for improving on the original. Honestly, I never saw the original and I’m not a fan of the “The Conjuring Universe” (although I did enjoy The Conjuring). Overall, Annabelle: Creation had a few eye-rolling moments, but it had a few genuinely scary ones as well. Here are some of my first impressions:

  • Annabelle: Creation only warrants an ‘R’ rating for a handful of gory scenes that could have easily been toned down to make it PG-13. In other words, if your movie is going to be rated R, make it rated R. This prequel-sequel relies primarily on thrills; it isn’t gratuitously violent, has no nudity, and there isn’t even any swearing in it.
  • The movie is filled with obvious bloopers, like Samuel Mullins “tickling” his daughter’s feet when she’s wearing shoes.
  • Contemporary horror cliches abound, including an isolated, creepy old house, an unrealistically large stone well, contorting body parts popular since The Ring (2002), and police who seem strangely indifferent despite horrible crimes having been committed.
  • Religious imagery, prayers, and exorcism/binding only seems to work when it’s convenient for the plot.
  • Lulu Wilson, who plays a courageous girl named Linda, was also in Ouija: Origin of Evil (2016), which just happened to be the last horror movie I saw in theaters. She’s a talented young actress who I hope eventually breaks out of the horror genre.
  • The film reminded me of the most terrifying episode of a children’s show I’ve ever seen: an episode of Webster called “Moving On,” which aired just after Halloween in 1984. Webster explores an old Victorian house with a room that’s always locked. Inside, there’s a life-sized doll sitting in a rocking chair. It scared the shit out of me as a kid.
  • Did Annabelle need so many characters? At least two of six orphans are kinda just “there” and don’t contribute anything to the plot.
  • I did appreciate the inclusion at the end of a Raggedy Ann doll that looked like the real Annabell doll, as opposed to the sinister, wooden prop used for most of the movie.

Look for a full review coming soon!

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About Michael Kleen

Michael Kleen is an author, raconteur, and occasional traveler. He has a M.A. in History and M.S. in Education. He enjoys studying military history, folklore, and philosophy.

Posted on August 12, 2017, in Film and Television and tagged , , , , , , , , , , . Bookmark the permalink. Leave a comment.

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