On a beautiful autumn day at the end of October 2010, an estimated 210,000 people gathered in the National Mall to watch television for four hours. At least, that’s what it felt like from my position behind the sound stage in front of a giant flat screen TV flanking the main stage at the Rally to Restore Sanity and/or Fear.
As the crowd filtered onto sections of lawn separated by short metal fences, the jumbotrons played clips from episodes of the Daily Show and the Colbert Report in the run up to the rally. As the morning wore on, the crowd grew until it stretched all the way back to the Washington Monument and spilled into the parkway at the edges of the Mall.
It felt like the buildup to a momentous occasion, and for many people there (some of my friends included), it felt like we were witnessing an important event, a statement, or the birth of a new political movement.
Miss Sloane (2016) stars Jessica Chastain as a high strung, pill-popping Washington DC lobbyist who takes on the Gun Lobby in this dead-on-arrival political thriller. Elizabeth Sloane is the most sought after and formidable lobbyist in Washington, D.C., but when her firm agrees to take on an effort to convince women to support the 2nd Amendment, she has a change of heart and joins a lobbying firm fighting for gun control.
According to IMDB.com, Miss Sloane had a budget of $18 million and made an embarrassing $59,797 in its opening weekend. As of December 14, the movie had grossed $2.6 million. Ouch. All indications point to a decent film. Good pacing, unexpected plot twists, solid acting–so what went wrong? Well, audiences don’t really want to sit through a 132 minute commercial for gun control.
Let’s start there. It’s not surprising a political thriller would have a political message, but this film wears its bias on its sleeve. It is replete with left wing stereotypes of conservatives, who it portrays as elderly white men enthralled to the gun lobby. When confronted with a plan to create a pro-gun women’s group, Miss Sloane is flabbergasted, unable to believe any woman would support an originalist view of the 2nd Amendment. (Oops, those groups already exist, WAGC and AFA to name two.) Through Miss Sloane’s later exposition, the audience is actually treated to a point-by-point refutation of arguments against gun control, making you feel like you’re attending a lecture rather than watching a movie.