Billy Lynn’s Long Halftime Walk is a clean, colorful, and vibrant movie about the disconnect between war and the home front, fantasy and reality, but trips up in the execution. Its much-praised frame rate of 120 frames per second (twice the previous record) isn’t really justified by the film’s simplistic plot, and in some ways it looked like a film school project. Its stereotypical portrayal of soldiers undermines what it gets right about the relationship between soldiers and civilians. Overall, it’s entertaining enough to watch but not something you’ll come back to again and again.
Billy Lynn’s Long Halftime Walk is based on a novel of the same name by Ben Fountain, a 58-year-old writer from North Carolina. I haven’t read the book, so I can’t comment about it in relation to the film. While I was watching the movie, however, I couldn’t shake the suspicion that this story wasn’t written by either a former soldier or someone who served in the Iraq War. “This is what a Hollywood screenwriter thinks soldiers sound like,” I thought as I listened to the dialogue. Turns out my suspicions were correct, which explains why the soldiers were so painfully stereotypical. A writer often falls back on stereotypes or popular tropes when not informed by personal experience.
The film’s portrayal of the disconnect between soldiers and civilians, however, is very insightful. It’s hard to describe the oddity of being involved in something like the military, especially if you have been deployed in a war zone. Everyone has an opinion about it, even though they have no direct knowledge or experience. Even comments from someone who supports the troops and the war effort can seem awkward and embarrassing, and this film captures that beautifully.
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