Vice President Dick Cheney’s life is creatively recounted in this bullish political biopic.
Written and directed by Adam McKay, Vice (2018) is bolstered by incredible performances by its lead cast, but hindered by strange and often jarring film techniques that pull your attention away from the drama. Both Christian Bale and Amy Adams show once again why they are among the best actors of our time by saving what could have otherwise been another mediocre polemic against the Bush Administration.
As the film opens, Dick Cheney (Christian Bale) is a young man struggling to find his place in the world and teetering on the brink of alcoholism. His wife, Lynn (Amy Adams), gives him an ultimatum to clean up his act. Cheney gets a job as an intern in Washington, DC and is fatefully taken under the wing of Congressman Donald Rumsfeld (Steve Carell), who becomes the youngest Secretary of Defense in U.S. history under President Gerald Ford. For a time, the two men’s fortunes seem to go hand in hand.
After seemingly retiring from politics, Cheney is approached by presidential candidate George W. Bush (Sam Rockwell), to be his running mate. Cheney manipulates the gullible Bush into handing him unprecedented control in the executive branch. He uses his influence to fill various White House positions with loyalists, and virtually runs the administration from behind the scenes, when he’s not recovering from numerous heart attacks. There he pushes “unitary executive theory,” which seeks to hand greater control to the President, and by extension, himself.
Vice interweaves these political machinations with Cheney’s personal struggles. At home, he tries to juggle his deep love for his two daughters, Mary (Alison Pill) and Liz (Lily Rabe), while shielding them from the public eye. When Liz decides to enter politics, Cheney must decide between supporting her (and her position against same-sex marriage) and his longtime support for Mary, who is a lesbian. This more intimate look at Dick Cheney’s life almost translates into a sympathetic portrayal. At least, his motivations are more relatable.Continue reading “Like its Protagonist, Vice Takes No Prisoners”