This afternoon I watched a special 30th Anniversary theatrical showing of Jim Henson’s final film, Labyrinth. I loved Labyrinth as a kid. It was the only VHS tape my grandma owned, and I watched it every time we visited. Seeing it in the theater was definitely an experience worth having. I was surprised to learn Labyrinth did not do well at the box office. I suppose seen for the first time through the eyes of an adult, it would seem like a silly movie. But to a child, it’s magical.
Henson’s puppets are finely crafted and the sets and characters are unique and entertaining. The music by David Bowie and Trevor Jones is outstanding. It’s a testament to the quality of the film that rather than be forgotten, 30 years later it’s being replayed in theaters around the nation.
Released in June 1986, Labyrinth is the story of a teenage girl, Sarah (played by Jennifer Connelly), who must journey to the center of a complex labyrinth to rescue her infant brother, Toby, who has been kidnapped by Jareth (played by David Bowie), the Goblin King. Along the way, she makes friends with colorful characters like Hoggle, a dwarf; Ludo, a large hairy beast; and Sir Didymus, a tenacious Fox Terrier. The film was a commercial disappointment, losing $12 million. Depressed by the failure, Jim Henson never made another feature film. He died four years later, in 1990.
The 30th Anniversary theatrical showing included interviews with Jennifer Connelly (who was 14 years old in 1986) and Jim Henson’s son, Brian, as well as a look at the Henson collection at the Center for Puppetry Arts in Atlanta, Georgia. It showed the care and detail that went into making the puppets. In Labyrinth, two brass door knockers seem to come to life. The door knockers are not CGI: they were actually made of foam painted to look metal. The illusion holds up even on the big screen.
I’ve always thought that CGI hasn’t come close to the puppets, miniatures, and practical effects of the 1980s in terms of realism. There’s something too clean, too perfect and precise about CGI. Labyrinth does use some effects like matte paintings and green screen that look terrible, but overall the effects quality is solid. Interestingly, Labyrinth contains one of the first uses of a CGI animal in a film–the owl in the opening credits.
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