Last night, a handful of people and I watched the premier of Oliver Stone’s latest film, Snowden, a biopic about NSA whistle blower Edward Snowden. Oliver Stone, who turned 70 today, has written and directed over two dozen films, many of which are considered masterpieces. Alexander, Natural Born Killers, JFK, and Platoon are among my personal favorites. A live interview with Oliver Stone, Joseph Gordon-Levitt (who played Snowden), Shailene Woodley (who played Snowden’s girlfriend, Lindsay Mills), and Edward Snowden himself followed the premier.
Oliver Stone is known for his politically-charged movies, and he doesn’t try to hide his biases. Snowden is an effective piece of propaganda. It’s nearly flawless as a film in terms of acting, editing, pacing, and dialog, but lacks the depth usually given to such a controversial subject.
First, here’s what Snowden gets right. Every actor and actress in this movie is on point. Every character feels genuine. Nicolas Cage, in top form, even makes a cameo as Hank Forrester, a (fictional) disillusioned CIA instructor. Shailene Woodley is perfect as Lindsay Mills, a free spirited, liberal photographer Snowden falls in love with.
One of the advantages of portraying a living person is you are able to study their mannerisms, tone, and expressions. Joseph Gordon-Levitt studied his subject well. Levitt, as Snowden, narrates throughout the entire film, as he is telling his story to a group of journalists, but the dialog is tight and the narration never gets bogged down in needless exposition.