A coroner and his son attempt to solve the mystery of how a seemingly unscathed woman’s corpse ended up in a murdered family’s basement in this psychological-horror film from Norwegian director André Øvredal. The Autopsy of Jane Doe (2016) doesn’t have a complicated story, but is creepy and compelling enough to rise above its peers.
Coroner Tommy Tilden (Brian Cox) and his son Austin (Emile Hirsch) run a routine practice in a small town morgue, but the discovery of the pale, lifeless body of a black-haired woman (Olwen Catherine Kelly) in a murdered family’s basement changes all that. Austin has plans to take his girlfriend Emma (Ophelia Lovibond) to the movies, but something doesn’t feel right when the sheriff wheels in a fresh corpse from a crime scene, so he postpones the date.
As Tommy and Austin begin the autopsy on the mysterious woman, they uncover clues to how she died. All her injuries are internal, and they discover evidence that she’s much, much older than she appears. The more they cut into her, however, the more unsettling events begin to manifest around the morgue. Something unseen traps and pursues them, with predictable results.
It’s eventually revealed Jane Doe was a witch who was brutally tortured and magically bound in a prison of her own flesh in seventeenth-century New England. She inflicted torment on everyone who had custody of her body, so it was shuttled around until ending up in the morgue, where only Tommy and Austin had the tools and expertise to solve the mystery.
In this latest interview with Bobbie Ashley, I talk about my new book, Witchcraft in Illinois, on WIKK 103.5 The Eagle in Newton, Illinois.
A preview of my new book Witchcraft in Illinois: A Cultural History.
The Witch Dungeon Museum is one of many diorama/wax museums in Salem, Massachusetts, with the added twist of a live performance. I didn’t get a chance to see it on my first trip to Salem, so I made sure to check it out on my second.
The museum appears to occupy an old church, but instead of the stations of the cross, numbered plaques bearing facts about the Salem Witch Trials line the auditorium’s back wall in sequential order. The tour’s highlight is a live performance of a dramatic moment from the trials, with lines drawn from an eyewitness account.