A young girl’s isolation at a Catholic boarding school in Upstate New York leads to increasingly disturbing behavior, while a psych-ward escapee drifts closer, in the nail-biting supernatural thriller, The Blackcoat’s Daughter (2015). Originally titled February, writer/director Oz Perkins intended this film to be a meditation on loneliness. He crafted a creepy and disturbing tale that has all the elements of a good horror movie.
The film is essentially divided into two stories that progressively come together in a surprise ending. In the first, a freshman girl named Kat (Kiernan Shipka) is staying at her Catholic boarding school over winter break because her parents have failed to pick her up. Rose (Lucy Boynton), a senior, told her parents the wrong date to buy time so she could find out whether she was pregnant. They are watched by two nuns. Rose receives several phone calls from a mysterious voice she calls “Dad,” and her behavior becomes more disturbing with each phone call.
In the second story, a man named Bill (James Remar) picks up a young hitchhiker named Joan (Emma Roberts) over the objections of his wife, Linda (Lauren Holly). It’s implied Joan escaped from a hospital, but Bill believes she reminds him of his daughter, Rose, who was brutally murdered several years earlier. Bill and Linda are traveling to their daughter’s former school to lay flowers. Bill tries to emotionally connect with Joan, believing God brought them together. Joan replies that she doesn’t believe in God.
**Spoilers** At the school, Kat brutally murders Rose and the nuns, decapitates them, and offers them up to Satan in a macabre ritual in the boiler room. A police officer confronts her and fires a shot. Later, in the hospital, a priest exorcises the demon from Kat, and she sees a shadowy figure disappear. In the present, Joan (now revealed to be a grown-up Kat) kills both Bill and Holly, steals their car, and completes her journey back to the boiler room, only to find it unlit and silent.
A group of orphans and a nun battle a demonic force personified by a creepy-looking doll in this latest installment of the The Conjuring Universe. Annabelle: Creation is a prequel-sequel to Annabelle (2014), a fictional account of Ed and Lorraine Warren’s battle with an allegedly possessed Raggedy Ann doll. This film departs entirely from reality, imagining an origin story for the doll. Both critics and audiences seem to enjoy it. Overall, it had a few eye-rolling moments, but it had a few genuinely scary ones as well.
Annabelle: Creation was written by Gary Dauberman and directed by David F. Sandberg. Both Dauberman and Sandberg are relatively new to their craft. Dauberman is known for previously writing Annabelle (2014) and the low-budget Swamp Devil (2008), and Sandberg has directed several short films and Lights Out (2016).
The filmmakers’ inexperience is probably why this movie doesn’t take any risks. It is a strictly paint-by-numbers modern American horror film. It is filled with obvious bloopers, like Samuel Mullins “tickling” his daughter’s feet when she’s wearing shoes. Contemporary horror cliches abound, including an isolated, creepy old house, an unrealistically large stone well, contorting body parts popular since The Ring (2002), and police who seem strangely indifferent despite horrible crimes having been committed.
Also, someone should tell the filmmakers that Catholic nuns can’t hear sacramental confessions. Only a validly ordained priest or bishop can hear confessions and absolve sins.
Though Annabelle: Creation adds nothing new to the genre, its popularity shows this is what horror audiences want to see. It opened at the top of the box office, pulling in approximately $35 million its opening weekend. Anecdotal evidence also attest to the film’s popularity. The theater was packed when I went to see it, in stark contrast to Detroit (a far superior movie).
I watched Annabelle: Creation this weekend, a prequel-sequel to Annabelle (2014). It’s the first horror movie I’ve seen since last year, and I read several reviews praising it for improving on the original. Honestly, I never saw the original and I’m not a fan of the “The Conjuring Universe” (although I did enjoy The Conjuring). Overall, Annabelle: Creation had a few eye-rolling moments, but it had a few genuinely scary ones as well. Here are some of my first impressions:
- Annabelle: Creation only warrants an ‘R’ rating for a handful of gory scenes that could have easily been toned down to make it PG-13. In other words, if your movie is going to be rated R, make it rated R. This prequel-sequel relies primarily on thrills; it isn’t gratuitously violent, has no nudity, and there isn’t even any swearing in it.
- The movie is filled with obvious bloopers, like Samuel Mullins “tickling” his daughter’s feet when she’s wearing shoes.
- Contemporary horror cliches abound, including an isolated, creepy old house, an unrealistically large stone well, contorting body parts popular since The Ring (2002), and police who seem strangely indifferent despite horrible crimes having been committed.
- Religious imagery, prayers, and exorcism/binding only seems to work when it’s convenient for the plot.
- Lulu Wilson, who plays a courageous girl named Linda, was also in Ouija: Origin of Evil (2016), which just happened to be the last horror movie I saw in theaters. She’s a talented young actress who I hope eventually breaks out of the horror genre.
- The film reminded me of the most terrifying episode of a children’s show I’ve ever seen: an episode of Webster called “Moving On,” which aired just after Halloween in 1984. Webster explores an old Victorian house with a room that’s always locked. Inside, there’s a life-sized doll sitting in a rocking chair. It scared the shit out of me as a kid.
- Did Annabelle need so many characters? At least two of six orphans are kinda just “there” and don’t contribute anything to the plot.
- I did appreciate the inclusion at the end of a Raggedy Ann doll that looked like the real Annabell doll, as opposed to the sinister, wooden prop used for most of the movie.
Look for a full review coming soon!