Events leading to journalist Christine Chubbuck’s 1974 on-air suicide are recounted in Christine (2016), a bleak but potent film written by Craig Shilowich and directed by Antonio Campos. Strong performances by its lead actors and its visual authenticity make Christine the best overlooked film of 2016.
Christine Chubbuck (Rebecca Hall) is a sincere but troubled woman working as a reporter for a local news station in Sarasota, Florida. She lives with her mother, Peg (J. Smith-Cameron), and performs puppet shows at a children’s hospital on the weekends. Her life begins to spiral out of control when, approaching 30, she discovers she has a cyst on one of her ovaries and may never have children.
Her boss, Michael (Tracy Letts), is concerned about falling ratings and wants Christine to cover more sensational stories. This professional dilemma is compounded by the arrival of station owner Bob Andersen (John Cullum), who wants to move some personnel to Baltimore. Christine is passed over in favor of anchor George Peter Ryan (Michael C. Hall) and sports anchor Andrea Kirby (Kim Shaw). This is a double-blow because Christine had an unrequited crush on George.
I won’t reveal how the film ends, but you probably already guessed. Rebecca Hall, who also starred in Professor Marston and the Wonder Women (2017) and The Dinner (2017), is outstanding as Christine Chubbuck, and won several awards for her effort. I’m not sure this film would have been nearly as good without her performance. She disappeared into the role, bringing her character to life with all the emotion and idiosyncrasies of a real person.
Turns out talent and hard work might not be enough to succeed in this faux-docudrama based on the life of former competitive figure skater Tonya Harding, I, Tonya (2017). Written by Steven Rogers and directed by Craig Gillespie, I, Tonya stars Margot Robbie in the titular role. The film re-creates interviews with the principal characters involved in a controversial attack on fellow figure skater Nancy Kerrigan in 1994.
Gillespie is a veteran director with several films and television episodes under his belt, so it comes as no surprise I, Tonya is competently handled. Rogers is mainly known for writing romantic comedies, so this film is quite a departure from his usual repertoire. Like the directing, the writing is solid but the fact it’s based on actual interviews and recordings probably made it easier.
Tonya Maxene Harding (Margot Robbie) grew up in poverty in Portland, Oregon. Her overbearing mother, LaVona (Allison Janney), pressured her into ice skating at a young age, eventually taking her out of school to pursue a career in the sport. In 1991, she became the first woman to successfully execute two triple axels in a single competition. She married Jeff Gillooly (Sebastian Stan) as a teen and their relationship quickly became abusive. Meanwhile, Gillooly’s friend, Shawn Eckhardt (Paul Walter Hauser), appointed himself as her unofficial body guard.
Harding finished fourth in the 1992 Winter Olympics and went home to be a waitress, where Coach Diane Rawlinson (Julianne Nicholson) convinced her to begin training for the 1994 Winter Olympics. Gillooly, now her ex-husband, allegedly concocted a plan with Eckhardt to intimidate Harding’s rival, Nancy Kerrigan (Caitlin Carver). Eckhardt hired two hapless thugs to smash Kerrigan’s knee. The event became a media sensation, resulting in Harding being banned from competitive ice skating.
Based on a graphic novel of the same name by Derf (John) Backderf, My Friend Dahmer (2017) traces infamous Wisconsin serial killer and cannibal Jeffrey Dahmer’s high school years, as chronicled by a former friend. Written and directed by Marc Meyers, this moody and hauntingly subtle film won best picture at Austin Fantastic Fest. Despite competent performances by its cast, My Friend Dahmer fails to leave a lasting impression. It lacked an over-all plot, and the poorly-mixed sound was barely audible.
Jeffrey Dahmer committed his first murder three weeks after graduating high school. As a teen, he coped with his parents’ failing marriage with alcohol abuse and acting out at school, and developed a fascination with death. He went on to kill sixteen people, preying mostly on young gay men in Milwaukee. He dismembered and ate some of his victims. He was finally caught in 1991, and a fellow inmate murdered him three years later.
Out of what I assume is a strict adherence to the source material, the film never goes below the surface or attempts to explain why Dahmer became a monster or what could have been done to stop him. It subtly hints at his aberrant sexuality without confronting it. What remains is a stark depiction of events without drama, tension, or conflict.
Ross Lynch gives an admirable performance as the wannabe serial killer (although the movie doesn’t give him much to do). This is certainly a departure from his other roles in Disney films and TV shows like Austin & Ally (2011-2016). His brooding, deadpan performance couldn’t contrast more with his usual upbeat, teen heartthrob characters. Such a dramatic acting range bodes well for his future career in film, and I’m looking forward to seeing him in more dramatic roles.
A young woman feels called to become a Catholic nun during the tumultuous period of Vatican II in Novitiate (2017). Written and directed by Margaret Betts, Novitiate is an intimate portrayal of the personal struggle and sacrifices these women made to pursue a religious calling, while others felt abandoned by the institution that gave their lives meaning. This was Margaret Betts’ first feature film, and is a genuine and heartfelt effort with outstanding performances by its cast.
The film opens in 1954. Though non-religious, Nora Harris (Julianne Nicholson) takes her young daughter Cathleen to church. Her marriage is falling apart and her abusive husband leaves. Later, religious sisters visit their home and offer Cathleen a scholarship to attend a newly-opened Catholic school, where she feels the presence of God. At 17, Cathleen (Margaret Qualley) believes she has been called to become a nun and enters a convent as a postulant, over her mother’s objections.
At the Order of the Sisters of Blessed Rose, Cathleen befriends her fellow postulants, Sissy (Maddie Hasson), Emily (Liana Liberato), Evelyn (Morgan Saylor), and others, and meets Reverend Mother (Melissa Leo), a stern headmistress. As the girls progress towards becoming novitiates, Reverend Mother becomes alarmed with the reforms of the Second Vatican Council. She believes the changes will destroy their way of life, and tries to resist them despite warnings from Archbishop McCarthy (Denis O’Hare).
Things get complicated when Cathleen feels an awakening sexuality, to which she responds by starving herself. This drives her into the arms of a newcomer, Sister Emanuel (Rebecca Dayan). Also starved for physical affection, the two share a forbidden moment of tenderness. Meanwhile, Reverend Mother grows despondent as she is powerless to stop Vatican II from liberalizing their religious order, undermining her authority and resulting in a mass exodus of nuns.
Twelve special operations soldiers team up with the Northern Alliance to strike back against the Taliban in Afghanistan in the wake of the September 11, 2001 terrorist attacks in 12 Strong (2018). Written by Ted Tally and Peter Craig, and directed by Nicolai Fuglsig, 12 Strong is based on the book Horse Soldiers (2009) by Doug Stanton. Unfortunately, epic battle scenes and a compelling real-life story aren’t enough to rescue this film from its lackluster execution and direction.
Green Beret Captain Mitch Nelson (Chris Hemsworth) is moving to a staff job when terrorists destroy the World Trade Center on September 11, 2001. With the help of Chief Warrant Officer 5 Hal Spencer (Michael Shannon), he convinces Lt. Colonel Max Bowers (Rob Riggle), Commander of 3rd Battalion, 5th Special Forces Group, to allow him to rejoin his team and deploy with Task Force Dagger against the Taliban and Al Qaeda in Afghanistan.
In Uzbekistan, Captain Nelson convinces Colonel John Mulholland (William Fichtner) to allow his team to go in first by displaying confidence and a knowledge of Afghan history, despite never having served in combat. Prominent members of his team include SFC Sam Diller (Michael Peña) and SFC Ben Milo (Trevante Rhodes). Together, they must earn the trust of an unpredictable Afghan warlord, General Abdul Rashid Dostum (Navid Negahban), and help him defeat his Taliban rivals around the city of Mazar-i-Sharif using U.S. air power.
Mullah Razzan (Numan Acar), leader of the Taliban forces, is a dark-haired, mustache-twirling villain who executes a woman early in the film for teaching young girls to read. After several confrontations and missteps, Captain Nelson wins Dostum’s trust and together they overwhelm the Taliban in the “Tiangi Gap” and free Mazar-i-Sharif, mostly on horseback.
A female tennis star wrestles with the patriarchy and her own sexuality in the gyno-centric sports dramedy Battle of the Sexes (2017), written by Simon Beaufoy and directed by Jonathan Dayton. A retelling of the most-watched tennis match of all time, between ex-champion Bobby Riggs and top female player Billie Jean King, seemed promising, but something misfired along the way. It was partly billed as a comedy, and features both Sarah Silverman and Steve Carell, but ends up only being mildly amusing.
It’s the early 1970s. Tennis star Billie Jean King (Emma Stone) and her manager Gladys Heldman (Sarah Silverman) confront Jack Kramer (Bill Pullman) about gross inequality in tennis prize money between male and female players. In outrage, they storm off to found their own women’s tennis association. Meanwhile, ex-tennis star Bobby Riggs (Steve Carell) has hit a new low as his gambling addiction threatens to tear apart his family.
As her new league takes off, Billie Jean King’s behavior threatens her marriage as well, when she meets hairstylist Marilyn Barnett (Andrea Riseborough) and discovers she is attracted to women. This affair seems to have little effect on her life, however, when her cuckolded husband, Larry King (Austin Stowell), shrugs it off and continues to faithfully dote on her.
Meanwhile, Bobby Riggs comes up with a way to exploit controversy over the women’s lib movement to make money and challenges top female tennis players to an exhibition bout. He handily defeats Margaret Court (Jessica McNamee), who is portrayed as somehow flawed and weakened by her loving devotion to her husband and child. Billie Jean King finally accepts the challenge and ends up humiliating Riggs in a match dubbed “The Battle of the Sexes.”
An ex-Confederate organizes a rebellion in southeastern Mississippi during the American Civil War and continues to battle for equal rights for freedmen during Reconstruction in Free State of Jones (2016), written and directed by Gary Ross. The film alternates between the 1860s and a 1948 miscegenation trial, to the detriment of both. Free State of Jones bombed at the box office and received mixed reviews from critics.
The film begins at the Battle of Corinth in northeastern Mississippi, October 3-4, 1862, in which Confederate forces under Maj. Gen. Earl Van Dorn attempted to dislodge Union forces commanded by Maj. Gen. William Rosecrans from fortifications around the town of Corinth. Newton Knight (Matthew McConaughey) is a medical orderly in the Confederate army from Jones County, a predominantly poor area with few slaves.
Knight is disgruntled to learn of a Confederate law that allows sons of plantation owners to avoid military service depending on the number of slaves his family owns. This was designed to guard against slave uprisings, but it angered some poor whites who believed they were fighting a “rich man’s war”. When Knight returns the body of his nephew Daniel (Jacob Lofland) to his home county, he learns that Confederate Captain Elias Hood (Thomas Francis Murphy) is excessively confiscating goods from the local population.
Things get complicated when Knight meets and falls in love with a slave, Rachel (Gugu Mbatha-Raw), despite being married to Serena (Keri Russell). He fights back against the tax collectors and hides out in the swamp, where he meets fugitive slaves and befriends Moses (Mahershala Ali). Together with other deserters, they successfully rebel against the Confederacy and proclaim a Free State of Jones. After the war, freed slaves struggle against a segregationist South.