Blog Archives

My High School Years in Film: 1996

I thought it would be fun to do an overview of movies that came out while I was in high school. The first video covers August to December 1996, when I entered high school as a freshman at Maine West in Des Plaines, Illinois. Yeah, it’s blatant nostalgia, even though the ’90s was a lousy decade to be a teenager. What were your favorite films from the late ’90s?

Advertisements

Is Hollywood Imploding?

The idea that Hollywood is a place where dirty old men lure young women (and sometimes boys) with promises of stardom has been around pretty much from its inception. It’s an open secret some call the “casting couch culture.” Harry Cohn, co-founder and president of Columbia Pictures until 1958, was rumored to have a private room next to his office for dalliances, and accusations against Harvey Weinstein go back decades.

Who, then, is surprised by rampant libertinism and degeneracy in the entertainment industry? It’s been on the cover of every tabloid magazine since the beginning of print media. So why have all these accusations of sexual improprieties suddenly bubbled to the surface, and does it have anything to do with declining ticket sales?

Forbes recently ran an article citing 2017’s summer movie season as the lowest grossing summer for the movie business in 25 years. While it mentioned fallout from the Harvey Weinstein scandal, it mainly blamed the rising cost of theater attendance and a generational preference for watching movies on mobile devices.

It’s true ticket and concession prices have become grossly over inflated, but these explanations hardly scratch the surface. Young people aren’t going to the theater because they’d rather watch movies on a phone? Ridiculous. I think it has much more to do with the poor quality of films coming out of Hollywood. Netflix has experienced tremendous growth partly because their original movies and series are compelling, funny, clever, and creative.

Read the rest of this entry

Valerian and the City of a Thousand Planets

Based on the French sci-fi comic book Valérian and Laureline by Pierre Christin and Jean-Claude Mézières, Valerian and the City of a Thousand Planets (2017) follows two interstellar agents on a quest to uncover the cause of a mysterious radiation bubble in Alpha, a massive space station home to over a thousand species from across the galaxy.

Major Valerian (Dane DeHaan) and his partner Sergeant Laureline (Cara Delevingne) are reluctant heroes. Valerian seems more concerned with convincing Laureline to marry him and Laureline in keeping Valerian out of trouble. Overall, the film is visually stunning, creative, rich with color and spectacle, and epic in scale. Cara Delevingne is beautiful and charming. Just enough to make it good but not great.

Valerian is largely a victim of poor timing. Valérian and Laureline came out in 1967 and though not well known in the U.S., had a huge influence on sci-fi films, including The Fifth Element (for which artist Jean-Claude Mézières created concept art). Unfortunately, by 2017 the movie feels like a copy of all the things its source material inspired.

I found myself constantly recognizing characters and settings I’ve seen before, including from The Fifth Element but also films like Avatar (2009). You can’t help comparing the Mülians to Pandorans. They’re virtually identical both in appearance and what they represent.

The only element that “feels original” is the concept of inter-dimensional travel, which was brilliantly executed in a scene in which Valerian and Laureline travel to a market to retrieve a rare creature. In our dimension, the setting is an open desert and a walled enclosure, but by putting on special equipment, shoppers are able to enter another dimension to a bustling, multi-story shopper’s paradise.

Read the rest of this entry

First Impressions of Valerian

I haven’t watched a movie in a theater in a while, so I decided to see Valerian and the City of a Thousand Planets this weekend over the other two on my wish list: Baby Driver and Dunkirk. I picked Valerian because it has mixed reviews and I wanted to judge for myself. Here are my first impressions after seeing the film:

  • It was good! It was visually stunning, imaginative, and reminded me of The Fifth Element (1997). I like the idea of inter-dimensional travel and traveling to a parallel dimension to shop, which you know humans would do.
  • The aliens were really cool, though I’m not sure why amphibian humanoids would have breasts. Are they also mammals?
  • Dane DeHaan, who played Major Valerian, basically reprised his role in A Cure for Wellness (2016), which doesn’t bode well for his acting range. He lacked a personality in both films.
  • Cara Delevingne (Sergeant Laureline) is a British actress who hides her accent well. She played Margo in Paper Towns (2015), which I loved. I take back calling her a discount Emma Watson.
  • Clive Owen is wasted in this film as Commander Arun Filitt. Anyone could have played this generic bad guy.
  • Maybe things will change in the future, but if Major Valerian were in today’s military, he would be court-martialed for seeping with his subordinates and keeping their photos as trophies.
  • Major Valerian is introduced as a daring ladies man and Sergeant Laureline as uptight and studious, yet Valerian is an officer and she’s an NCO. By the end of the film, their roles are reversed: she damns the rules and he’s suddenly reluctant to break them.
  • If the film needs to recap the entire plot at the end for the audience to understand it, like an episode of Scooby-Doo, there’s a huge problem.

I’ll post a complete review later this week!

The Circle: Style Over Substance

The Circle (2017) stars Emma Watson as Mae Holland, a young woman who lands a dream job at a tech company called The Circle. Skeptical at first, she comes to embrace The Circle’s vision of total openness and transparency, until ultimately uncovering the company’s nefarious agenda. It is based on a novel of the same name by Dave Eggers. The Circle is visually impressive, blending current and speculative technology to bring to life a world where the digital and physical overlap. If Apple made a movie, it would look like this. Clean, simple, elegant. Unfortunately, its message is lost in a plot thinner than an iPhone 7.

The Circle was founded by Tom Stenton (Patton Oswalt) and Eamon Bailey (Tom Hanks) and designed by Ty Lafitte (John Boyega). Since growing into a Google-esque tech giant, Ty Lafitte has faded into the background, becoming an Emmanuel Goldstein-like figure who quietly opposes its agenda. The Circle integrates everything about your life into one system, seeking to acquire an ever-increasing amount of personal data, including placing cameras all over the world to monitor and analyze all human activity.

The Circle is a progressive and hip company that provides everything for its employees on its massive campus. Parallels to Apple and Steve Jobs are obvious (Eamon Bailey even holds casual talks where he announces products to his employees). Employees are peer pressured into conformity and relying on The Circle for social acceptance, entertainment, and even health. While employees are continually encouraged to “become more transparent,” Stenton and Bailey operate in secrecy, hiding their future plans and true motivations. Their agenda is so secret, not even the film’s audience ever finds out what they’re up to.

Is privacy important? Is transparency always good? Those are the questions I thought this film set out to explore. Don’t expect any clear answers. Mae Holland is converted to The Circle’s philosophy after she steals a kayak and would have drowned in San Francisco Bay if not for the cameras secretly recording her activity. She decides to go “fully transparent,” broadcasting her every experience through cameras. Later, however, she is pressured into using this technology to find her ex-boyfriend, Mercer (Ellar Coltrane), who flees the cameras and drives off the San Francisco Bridge. Though depressed, she determines to “fix” the system. “When a plane crashes, you make planes safer, you don’t stop flying,” she tells her parents.

Read the rest of this entry

Gold Glitters

goldGreed and obsession collide in Gold (2016), a gritty morality tale set in 1980s Nevada, Wall Street, and Indonesia. Matthew McConaughey plays Kenny Wells, a prospector desperate for a lucky break. He teams up with geologist Michael Acosta (Edgar Ramírez), and together they descend into the uncharted jungles of Indonesia hoping to find one big score. This poorly-advertised film almost escaped my notice, until I saw it playing at my local theater. I’m glad I took a chance on it. Gold is a solid film and surprisingly entertaining. Matthew McConaughey disappears into the role, achieving absolute rock bottom in body and spirit.

Gold is loosely based on a true story. In 1995, a small Canadian mining company called Bre-X, owned by David Walsh, claimed to find a massive gold deposit deep in the Indonesian jungle on the Island of Borneo, near the Busang River. Filipino geologist Michael de Guzman and John Felderhof convinced Walsh to invest $80,000 to purchase and develop the gold mine.

In 1997, Bre-X collapsed and its shares became worthless in one of the biggest stock scandals in Canadian history. On March 19, 1997, de Guzman committed suicide by jumping from a helicopter in Busang, Indonesia. An independent investigation of core samples from the mine determined de Guzman had been “salting” the samples with gold flakes, some from his own wedding ring. Walsh died of a brain aneurysm in the Bahamas in 1998, and in 2007, Felderhof was acquitted of securities charges. The scandal cost investors an estimated $3 billion.

Gold follows Nevada prospector Kenny Wells, who inherited his father’s company, Washoe Mining, in the early 1980s. Stress-induced alcoholism caused by the economic downturn leads him to sell the last of his jewelry and fly to Indonesia to meet geologist Michael Acosta. There he endures hardship and survives malaria. When he emerges from the illness, Acosta tells him he made what might be the largest gold discovery in history.

Read the rest of this entry