Category Archives: Books
Squeezing Jagger tighter against my chest, I read the words “Bloody Marley” written in bright red lipstick across the bathroom mirror. The tube of lipstick was laying haphazardly in the bathroom sink, broken and mushed.
Marley Parker, feisty college journalist turned amateur sleuth, is back in her third and final book: Redletter by Maria Sigle. Released in May, Redletter follows Marley Parker as she tries to move beyond the traumatic events of the past and start a career at WKLP News. Her first breaking news story, however, ominously foretells a tough road ahead. When the Candyman Killer appears in Greenbriar, Marley will face her biggest challenge yet.
Halloween is usually a time to celebrate in the small Midwestern town of Greenbriar, a week-long event bringing family and friends together. This Halloween, however, someone begins reenacting urban legends with gruesome results. First, a high school student dies after eating Halloween candy. Then, a woman’s body is discovered floating near a bridge with the letters “OCC” written on her back. Can Marley decipher this clue in time to prevent another murder–perhaps her own?
In Marley Parker and A Rumor of Ghosts, Marley often acted selflessly, even at great personal risk, but also relied on others for help–her sister, Jade; her father, Sheriff Tony Parker; her best friend, Fuchsia Darling; Granny Annie; and even her love interest, wealthy playboy Rob Cummings. This time, she’ll be forced to go it alone as a duo of anonymous killers target the ones she cares about the most.
“There’s simply no way of putting this delicately, Marley. I believe that you are in eminent danger.”
Marley Parker, a stunning young woman with a passion for uncovering the truth, is a journalism student at Greenbriar University. Her mother mysteriously disappeared when she was a young girl, leaving her sister and her to be raised by their father, Sheriff Tony Parker. As the novella opens, Marley is about to receive an award for Excellence in Journalism for a video report on a local girl’s disappearance. At the award banquet, wealthy financier Dean Cummings drops dead—the victim of poisoning. Suspects are many, but Marley Parker is on the case.
Marley Parker was Maria Sigle’s first young adult novel. Released in July 2014, the book is 208 pages, is available in print and digital formats, and retails for $9.89. It is a mystery with some supernatural elements. The second book in the series, A Rumor of Ghosts, promises to delve deeper into that theme. “I just love the idea of a series centered around a young, strong, beautiful female who seemingly has it all,” she told MysteriousHeartland. “Then once you dig deeper, you discover that what you see on the surface is a completely different story than what that girl actually consists of.”
In the beginning, Marley Parker seems to have overcome her childhood trauma and has it all—good looks, an influential father, a home on the lake, a promising future career, and a wealthy love interest. Over the course of the book, all these things will be tested, and Marley will have to fight for her life to hold onto everything she has, all while unraveling a mystery with connections to her past.
The author relied heavily on her own experiences to craft this tale. “Much like Marley, when I was 19 years old, I wanted to be an investigative reporter. When I was at Sophomore in college, I began working for a local FOX Television affiliate full time, as the sole on-air talent. It was difficult at the time, juggling full time school and a full time job but it was well worth it.”
In The Great Cat Massacre: and other Episodes in French Cultural History (1984), historian Robert Darton attempted to reconstruct and understand the mental world of early modern French peasants through their folktales. He began with the story of “Little Red Riding Hood” as told around firesides in peasant cottages during long winter evenings in eighteenth-century France. It’s a little different than the version you may have been told. The story went as follows:
A young girl was instructed to bring some milk and bread to her grandmother’s house. While walking down a path through the woods, a wolf stopped her and asked her where she was going. She told him, and the wolf took off down a second path. The wolf, “arrived first at the house. He killed grandmother, poured her blood into a bottle, and sliced her flesh onto a platter. Then he got into her nightclothes and waited in bed…”
When the young girl arrived, the wolf (disguised as her grandmother) offered her meat and wine from the pantry. “So the little girl ate what she was offered; and as she did, a little cat said, ‘Slut! To eat the flesh and drink the blood of your grandmother!’ Then the wolf said, ‘Undress and get into bed with me.’”
After a prolonged scene in which the young girl is instructed to undress and toss her clothes into the fire, the conclusion proceeds in the now familiar manner until, at the very end, the wolf eats the girl. No hunter comes to her rescue in the original version.
The version as we know it today, according to Darton, was taken by the Grimm brothers from Charles Perrault, a popular writer at the turn of the seventeenth century, who changed the stories to suit the tastes of the Paris elites. The ending we are familiar with, in which the hunter rescues Little Red and kills the wolf, was added by Jeannette Hassenpflug, the Grimm’s neighbor, from a popular German story “The Wolf and the Kids.”
Through an examination of folktales like “Little Red Riding Hood”, Darton hoped to unlock the mentalité of the French peasant during that time period. “Folktales are historical documents,” he argued. “They have evolved over many centuries and have taken different turns in different cultural traditions… they suggest that mentalités themselves have changed. We can appreciate the distance between our mental world and that of our ancestors if we imagine lulling a child of our own to sleep with the primitive peasant version of ‘Little Red Riding Hood.’”