Category Archives: Reviews
An elderly woman with an enigmatic past pines her days away in an asylum, until a doctor begins investigating her case and ultimately gives them both a second chance at life in The Secret Scripture (2016). It is a romantic tale filmed on location in Ireland and is one of those films audiences seemed to like but critics panned. Beautiful cinematography and emotional depth masks an otherwise a ridiculous plot.
The Secret Scripture is based on a novel of the same name by Sebastian Barry, author of A Long Long Way (2005). It was released in Canada and the U.K. in 2016 but came to the U.S. in October of this year. It was adapted for the screen and directed by Jim Sheridan, who also directed My Left Foot (1989) and The Boxer (1997). Both Sebastian Barry and Jim Sheridan were born in Dublin and have focused their careers on highlighting the Irish experience.
The film centers on Roseanne McNulty (Vanessa Redgrave), an elderly woman in a mental institution who allegedly murdered her child. Dr. William Grene (Eric Bana) comes to evaluate Rose to see if she is sane enough to live on her own, because the institution is being remodeled into a spa. Dr. Grene becomes fascinated with her life story after discovering a journal she’s kept, written on the pages of a Bible.
As a young woman, Rose (Rooney Mara) lives in Belfast with her sweetheart, Michael McNulty (Jack Reynor). He leaves to join the British air force during World War 2. She moves to the Irish countryside to escape the German bombing raids, only to run afoul of local conventions. After being exiled from her aunt’s cafe to an isolated cottage, Michael just so happens to be shot down in her backyard and she hides him from Irish partisans.
In The Last Citadel: Petersburg, June 1864-April 1865, Noah Andre Trudeau charts Union General Ulysses S. Grant’s Petersburg Campaign, from June 9, 1864, when General Benjamin Butler first attacked defenses around the city, to April 3, 1865, when Federal troops at last captured this vital Virginia railroad hub south of Richmond. The ten-month Siege of Petersburg was the longest and most costly to ever take place on North American soil.
Within this non-traditional history, Trudeau brings to life these dramatic events through the words of men and women who were there, including officers, common soldiers, and the residents of Petersburg. What emerges is an epic account rich in human incident and adventure, told through various chapters covering all aspects of the campaign. This revised Sesquicentennial edition includes updated text, redrawn maps, and new material.
The Last Citadel is divided into six parts, including a prologue and epilogue. The chapters are arranged into a rough chronology, but this is not strictly a chronological account of the siege. Each chapter uses a different subject to frame the narrative, from the effect of artillery bombardment on soldiers and civilians, the role of newspapers and the press, and even fraternization between opposing armies.
This is a unique and interesting way to look at the battle, drawing from a multitude of primary sources including military orders and dispatches, regimental histories, civilian diaries and letters, newspapers, and more. Trudeau organizes his book well, so that various perspectives never become jumbled or distracting. This keeps each chapter fresh and interesting, like reading a collection of articles rather than a weighty historical text.
A disgruntled middle manager’s insurance scheme unravels in an idyllic 1950s suburb in Suburbicon (2017). Gardner Lodge (Matt Damon) is a middle-aged man with a disabled wife, Rose (Julianne Moore), and a young son, Nicky (Noah Jupe). Their world is shattered when two thugs (Glenn Fleshler and Michael D. Cohen) seemingly break into their home and murder Rose with an overdose of chloroform.
In the wake of the tragedy, Rose’s sister, Margaret (also played by Julianne Moore), moves in with Gardner and Nicky, over the objections of her brother, Mitch (Gary Basaraba). Meanwhile, an African American family, Mr. and Mrs. Mayers (Leith M. Burke and Karimah Westbrook) and their son Andy (Tony Espinosa), move into the all-white community. This ignites a controversy that forms the backdrop for the film.
Suburbicon was written by the Coen brothers and directed by George Clooney (who revised the screenplay). Joel and Ethan Coen originally wrote the script in 1986. Their effort at finding whatever was laying around for their next film payed off by finishing 9th at the box office on its opening weekend. Suburbicon is Matt Damon’s lowest performing film and it has a current rating of 26 percent on Rotten Tomatoes.
Suburbicon is modeled after Levittown, New York, a planned community built by William Levitt between 1947 and 1951 and the nation’s first modern suburb. Levitt, who was Jewish, believed whites would not want to live in Levittown alongside black neighbors, so the original rental agreement excluded non-Caucasians. Levittown remains 88.9 percent white.
In Suburbicon, white mobs subject the Mayers family to 24-hour harassment, culminating in torching their car and hanging a Confederate battle flag in their broken window. Nicky and Andy, however, form a bond, suggesting a more tolerant future.
In Cold Harbor: Grant and Lee, May 26-June 3, 1864, Gordon C. Rhea charts the battles and maneuvers between the Union Army of the Potomac and Confederate Army of Northern Virginia, from the stalemate on the North Anna River through the Cold Harbor offensive in late spring, 1864. This is the fourth of a five volume series on General Ulysses S. Grant’s Overland Campaign during the American Civil War.
Rhea’s tenacious research brings to light new facts from an often mythologized or overlooked chapter of that conflict. In clear detail, he describes the remarkable events of those nine days and provides a new interpretation of the famous battle that left seven thousand Union casualties and only fifteen hundred Confederate dead or wounded.
As the subtitle suggests, Cold Harbor is largely a study in command. After writing four volumes devoted to the Overland Campaign, Rhea concluded Ulysses S. Grant and Robert E. Lee were very similar generals, “about as evenly matched in military talent as any two opposing generals have ever been.” They were different in personal style, but shared a military temperament. Both Grant and Lee favored offensive operations, and both attempted bold maneuvers. Both were often frustrated by subordinates who couldn’t seem to effectively carry out their orders.
Rhea goes to great lengths to challenge Grant’s reputation as a “butcher,” and puts to bed the myth that Cold Harbor was a senseless slaughter compared to previous battles. Lee’s casualties during the three-day Battle of Gettysburg were higher than Union casualties for any three consecutive days under Grant, and Grant never suffered as many casualties in a single day as McClellan at Antietam. The infamous attack at Cold Harbor on June 3 was only the fifth bloodiest day for the Union army since the Overland Campaign began.
Christina Ricci stars in this made-for-TV dramatization of the 1893 trial of Lizzie Andrew Borden for the murder of her father and step-mother in Fall River, Massachusetts. The highly-stylized production recounts events immediately surrounding the murders and subsequent trial. Lizzie Borden Took an Ax (2014) was later developed into a TV Mini-Series The Lizzie Borden Chronicles (2015). It blends a modern soundtrack with historic events to create an oddly entertaining take on the controversial case.
At 11:10 a.m. on August 4, 1892, Lizzy Borden (Christina Ricci), 32, yelled for the family maid, Bridget Sullivan (Hannah Anderson), to quickly come downstairs. She discovered her father, Andrew (Stephen McHattie), slumped over the sofa. His head had been bashed in. Abby (Sara Botsford), Lizzy’s stepmother, was found on the floor of an upstairs bedroom, her head and face smashed. Lizzy gave police strange and often conflicting information, and she quickly became the chief suspect.
Her New Bedford trial, beginning in June 1893, was a national sensation, widely reported in the newspapers. It took the jury 90 minutes to acquit her, and with her inheritance, she purchased a new home and lived there with her sister Emma (Clea DuVall). Despite efforts to start a new life, Lizzy Borden was ostracized from Fall River society, since many people believed she was the murderer.
There are several alternative theories about “who done it,” but Lizzie Borden Took an Ax doesn’t entertain any of them. It openly implies Lizzie was the murderer, even going so far as to imagine Lizzie confessing the crime to her sister, causing her to flee their home in disgust. In fact, the two sisters split in an argument over a party in 1905, 12 years after the trial. We’ll never know what the sisters said to each other in private conversation, so this is creative license at work.
A young couple moves into an old farmhouse, only to experience a series of strange events. Is the ghost of a missing child reaching out for help from beyond the grave? In capable hands, Grindstone Road (2008), written by Paul Germann and directed by Melanie Orr, had the potential to be an entertaining (if not very original) horror film. Unfortunately, it doesn’t even rise to the level of a made-for-TV movie.
Melanie Orr is a script supervisor (oversees a film’s continuity) who has directed episodes for a number of television shows. Grindstone Road was her sophomore effort. Paul Germann is a sound effects editor who has written a grand total of one film. Grindstone Road must have been so bad he never got another script optioned. It was like he had a weird dream and decided to make a movie out of it.
Somehow they tricked Fairuza Balk into starring in their cliched and mediocre Canadian horror film. Balk appeared in some popular movies in the ’90s, including The Craft (1996), American History X (1998), and The Waterboy (1998), then dropped off the public’s radar. She always embraced “alternative” roles, and wears a goth-ish outfit for one scene in this movie, but otherwise plays a conventional housewife. That’s like asking Jackson Pollock to paint an idyllic country cottage. It’s just not right.
As bad as Grindstone Road is, at least it has an interesting story. Wracked with guilt over a car accident that left her son Daniel (Felix Pennell) in a deep coma, Hannah (Fairuza Balk) begins having strange experiences in her new home. Her husband, Graham (Greg Bryk), is oblivious and blames the antidepressants she takes to help ease the pain. Their neighbors, an elderly couple named Ted (Walter Learning) and Linda (Joan Gregson), alert them to the possibility their house is haunted.